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'もの干し祭り' (2022)

障子紙にシルクスクリーン、物干し竿

​サイズ可変


亀岡霧の芸術祭 城跡芸術展

​京都府亀岡市

洗濯物を干すという行為は古くから人間共通の習慣ですが、そのなかには自然の力と恵、人間の営みがあります。普段家族の生活にある「干してもらう」「干してあげる」を、観客と一緒に行うことで「家族」の意味を広げていきます。ものを干すという行為、服の記憶、そして「干してもらう人」と「干してあげる人」の間に、新しい関係を築いていきます。

香港出身、京都在住の WONG Chung Wah(デザイナー/アーティスト)とのコラボレーション作品です。二人は瀬戸内国際芸術2019から始め、領域横断の媒介と展示手法を用い、日常の営みにアートを持ち込み、人々が芸術に出会い場をつくっています。

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'Monochrome' (2022)

Size variable

Screenprint, digital print

A series of silkscreen-based works installed in a residence-turned-gallery in Kyoto city. The technique used involves washing unexposed emulsion on a silkscreen to create abstract patterns, as if water takes charge of the visual instead of the artist.

From the round table audience is encouraged to take home digital prints in the form of pamphlets and cards, to bring these artworks into the outside world. 

'Self-study'
'Self-study'

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'Self-study' (detail)
'Self-study' (detail)

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'Self-study' (detail)
'Self-study' (detail)

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'Self-study'
'Self-study'

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'Self-study' (2018)

CMYK separation screenprint on paper scanned and printed alternately from an old colouring book​

Set of 40: 21 cm x 29.7 cm each


AVA Gallery, Kai Tak Campus,
Academy of Visual Arts,
Hong Kong Baptist University.

Recreating the success of yesterday makes it harder to see what made it perfect. The kid coloured inside the lines, the child takes the boundaries with her and walks on, one print at a time. 

A reflection on memory, self-image,
expectation and success.

'Plates'
'Plates'

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'Plates' (detail)
'Plates' (detail)

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Set-up in progress with Constance Ch
Set-up in progress with Constance Ch

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'Plates'
'Plates'

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'Plates' (2017)

Etching and aquatint on paper, copper

For DUO exhibition (2017), a self-initiated project with 13 other Visual Arts students at Hong Kong Baptist University. This piece is done in response to my collaboration with Constance Chan Yi Ting for the exhibition.

Koo Ming Kown Exhibition Gallery,
Hong Kong Baptist University

Intaglio prints are crisp and delicate, but the copper plate itself tells another story. Copper talks to paper, and couldn’t finish. 

An exploration of the nature and possibilities intaglio printmaking by juxtaposing copper plates and prints. Etching here is more than an imaging process but also a development of ideas. The work shows the visual interest of copper plates and its value as an art object.

'Studio Clearance' set up
'Studio Clearance' set up

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'Studio Clearance' set up
'Studio Clearance' set up

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'Studio Clearance' (2017)

Screenprint on found materials

For Crash Printing (2017), an exhibition with printmaking students from Hong Kong Visual Arts Centre. 

Koo Ming Kown Exhibition Gallery, 
Hong Kong Baptist University

Too smudged to be used, too wasteful to discard. 

Bits and pieces and here and there, this is our good old studio after clearance. ​

'Connect-the-Family' (2016)

Ink on plastic sheet, found image

 

 

A found photograph of a 1940s American family dinner traced with 13,478 dots in total, linking each family member despite their indifferent gazes. 

'Connect-the-Family' (detail)
'Connect-the-Family' (detail)

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'Connect-the-Family' (detail)
'Connect-the-Family' (detail)

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'Connect-the-Family' (detail)
'Connect-the-Family' (detail)

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'Connect-the-Family' (detail)
'Connect-the-Family' (detail)

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